Senior Photographer vs Wedding Photographer: Which Niche Has More Earning Potential?

I’m just going to come right out and say it: being a booked out wedding photographer is NOT the only way to make “real money” as a photographer. Some may consider this a hot take, and some may think that I am biased as a senior photographer myself, but I’m living proof that a multi-six-figure portrait photography business is completely possible. 

Thinking wedding photography is the way to get those big bookings makes sense, as weddings are definitely an industry where it’s typical to charge 4-figures for your services. But what I want photographers to know is that you can also make 4-figures per client as a portrait photographer without working weekends, editing thousands of images, or spending hours traveling away from home.

Have you been sticking with bookings you don’t enjoy for longer than you’d like to admit?

I get it! If we’re being honest, money is a big motivator for any photographer. Most of us don't go into business full-time to break even, right? 

I know that you’re motivated to provide for your loved ones, invest your money to create long-term wealth, and enjoy the financial freedom you didn’t get to experience growing up. So, you keep saying yes to a certain type of booking that consistently comes your way, because it seems foolish to turn money away. Because, by turning that booking opportunity away, in your mind it seems like you're wasting the earning potential.

But let's flip that on its head for a second. What if, by spending time doing the bookings you don't enjoy, don't want to post about, and don't get excited about — the ones that leave you feeling drained, un-inspired, frustrated — you're actually preventing your business from growing to its full potential?

Without thinking about money for a moment, instead think of how that impacts your photography business from a mental and emotional point of view: when you dread your next booking, you're far less likely to be motivated to create, and worse yet — you might start to believe the lie of “photography just isn't for me after all.”

Money is just money, right? Any booking is just as good as the next one, right?

Not necessarily.

In the beginning of your photography journey, sure, it makes sense to try out all types of bookings and niches so that you can see what you enjoy, what you feel naturally good at, and what fits into your network and lifestyle. HOWEVER: once you start to get more inquiries, more referrals, and feel more confident in your work as a photographer, the best way to SCALE is to SIMPLIFY.

Just like nobody thought it was humanly possible for man to run a 4-minute mile until someone actually came forward and did it, we often don't know what's possible until it's been done before. And I'm here to tell you — simplifying your life and business by becoming an expert in one or two niches is the best way to run a successful photo business.

Before I was a full-time senior photographer, I was just like you.

I was gladly accepting wedding bookings early in my career (I couldn't believe I could make 4-figures from one booking!) but quickly realized, from both a creative and professional POV, that weddings didn't seem like a fit. For one thing, they were usually a bit stressful in general given the multiple 'moving parts' of a wedding day, required a lot more gear, and of course, meant I had to be working most weekends.

I remember thinking to myself, “wait… if I get really good at this, then most of my weekends are going to be working. When did that happen?!” As a business owner, we always have to make decisions based on what we value. And for me, I knew I wanted to spend weekends with my friends and family — the people I love. 

Then, there was the editing. Thousands of images! Even though I had brought in a 4-figure booking, the time spent preparing for, attending, and then editing the wedding meant that my overall hourly rate was a lot lower than I typically charge for a portrait session.

In addition to weddings, I was also booking birthday parties, corporate events, surprise proposals, you name it — and here's the thing: every time I went to prepare for a new session, it was like I had to put away the skill set from the one prior and dust off a brand new set of skills for this next one. It was inefficient from a time standpoint, and uninspiring creatively.

That's where seniors came in. After leaving my full-time corporate job as a data analyst, I decided to do photography part-time and become a cheerleading coach part-time (and I was also doing digital marketing consulting on the side, it was truly my #hustleera). But it was being around teens every day that made the transition into being a senior photographer so, so natural. 

It got to the point where, after launching my first senior rep team in 2018, my afternoons became so booked with sessions that they started to conflict with cheer practice! That was the jumping off point, and slowly but surely, I started to say no to bookings for brands, families, parties, proposals, etc. 

Transitioning to the senior photographer niche wasn’t easy at first.

This kind of shift in your photography business is not an overnight transition!

First, I had to take down all the pages on my website that I had spent time setting up to accept bookings for things like branding, proposals, weddings, parties and events, etc. Then, any time I got a DM I had to exercise the “muscle” of saying no to a perfectly good booking opportunity simply because I knew my time is better spent nurturing ONE niche than spreading my services across multiple.

So for example, in any given month, rather than having 2 senior sessions, 2 proposals, 1 wedding, 1 birthday party, and 1 headshot session for a company (which requires different workflows, equipment, email sequences, etc.) — I was committed to replacing all of that with 8-10 senior sessions.

And in doing so, I became crazy-familiar with every second of the senior client journey.

Opening up that time in your business is what allows you to become known as the go-to, expert-level [insert your favorite niche here] photographer in your area. People who find you have no question or confusion around who it is that you serve, and that makes you all the more magnetizing to work with! 

Worried about how to grow a thriving photography business as a full-time senior photographer?

Sometimes photographers think that if they're new to the area, or are a certain age, that they just don't have the tools to have a successful senior rep program. Not true. Senior model teams, also known as ambassador programs, are a proven method to build the demand for your senior photography business, year after year. They don't have to be expensive, humongous, or time-consuming. The key to a successful senior rep team is building them right into your client base, and adding in a 'tilt' that you look forward to every year! Learn more about how to create a stand out senior rep program here.

Whatever you decide to focus on, go ALL in.

If you're a photographer who wants to scale to six-figures and beyond without weddings, a photo studio, or a jam-packed schedule, then I have good news: you CAN earn 4-figure portrait photography bookings on repeat (multiple times per week) WITHOUT putting in all the hours or weekends that other niches require. This process is even easier when you have all the right tools. Check out my freebie to learn the exact 3 email phases I go through with each of my 4-figure clients.

How To Make More Money As A Photographer

Let me guess — you wish you were making more money as a photographer. Right?

Listen, what I know about you is this: You are so talented at what you do. You’re passionate about capturing beautiful moments and creating images that make your clients stop with their jaws dropped and say, “Wait whaaaat?! I can’t believe that’s me!”

You know you just nailed that session. You’re proud of the images, and you can already see how thrilled your client is going to be when they receive them.

You send over the gallery, and you’re excited and hopeful. You think, “They’re definitely going to upgrade. They’re going to want all these images—how could they not?!”

But then… crickets.

Maybe a day goes by. Maybe two. You don’t get the upgrade notification, and suddenly, doubt creeps in. You start second-guessing yourself:

“Was my pricing too high?”

“Should I have given them more time to decide?”

“Maybe I should just email them again and remind them…”

Here’s the truth that might sting a little: It’s not that your pricing is wrong, and it’s not that your clients need more time. Actually, it’s the opposite.

A common myth I hear is that the best way to make more money as a photographer is by offering gallery upgrades.

When you deliver an online gallery and leave the decision entirely in the client’s hands, it's passive. You’re hoping they’ll see the value on their own, and crossing your fingers that they’ll take the time to review, discuss, & upgrade on their own.

But, believe it or not, HOPE is not the strategy that will get you (or your clients, frankly) the best possible outcome.

Your clients are busy. They do love their photos, but they don’t always have the time or energy to scroll through the gallery, weigh their options, and make decisions. And the longer you give them to decide, the easier it becomes for them to get swept back into the current of everyday life, forgetting about it entirely.

Here’s the thing: It’s not about giving them more time—it’s about giving them LESS time and MORE guidance.

What to do instead? Position yourself as the expert.

Become the trusted guide that walks them through their options every step of the way. You're not "putting the ball in their court" and expecting them to take action. Rather, you're right alongside them from inquiry to sale.

Another way to close the deal? Make upgrades irresistible.

For 4-figure sales and above, you need to be offering multiple types of upgrades that have a lot less to do with images, and a lot more to do with each client's unique story and needs.

The third route to a no-brainer? Master your messaging.

With love, this hands-off gallery approach is not the way to scale your business to six figures and beyond without burning out.

The good news, though, is that there’s a much, much better way.

In fact, there’s a way to work with your clients so that they’re excited to pay you three times what they paid for the session. A way to serve them at a higher level and build a business that gives you true financial freedom AND time freedom — and not just a packed calendar.

This is the shift that will change everything for you. And it starts with knowing what to say and when to say it.

I hear from my students all the time that since they don’t live in a luxury area, the clients in their market simply won’t pay higher prices. I know successful photographers who charge luxury prices who operate in small towns with corn fields in their backyard! 

These are limiting beliefs that unfortunately are far too commonly accepted in the photography industry. It's almost like a comfort blanket that helps photographers justify playing small. 

Anyone who wants to generate wealth as a photographer must have the courage to say, "You know what? No. I know what I'm capable of, I know I can do this. If anyone can build a successful, profitable photography business, it's me! I'll figure it out. I'll learn from the best. I'll surround myself with people who have done this already."

There is always a solution, always a way to make more money as a photographer, no matter where you're located. If you don't book the luxury clientele, someone else in your area will.

6 Tips for Photography Business Growth: What NOT To Do

The key to photography business growth isn’t just about adding more to your plate — it’s about understanding what thoughts and habits to let go of to catapult you forward. There was a point in my business where I was saying yes to virtually any photography inquiry that landed in my inbox simply so that I could justify my decision to have left my corporate job just months earlier. Realizing I was now going to have to pay for health insurance, figure out my own retirement plan, and pay my rent meant one thing: anyone who was willing to pay me was going to get photographed! 

If I'm honest, I was a little scared, wondering if having a photography business was this temporary, somewhat-financially-helpful hobby, or if it was going to launch me into the ambitious, high-level career I had always dreamed of.

I wish I’d had a helpful list of things NOT to do in this phase, so I’m happy to pass this photography business growth information along to you, another photographer looking to level-up!

1. Don’t underestimate the power of specializing (aka “niching”)

The question of whether or not to niche is common.

Yes, in the first year or two of your photography business, saying “yes” to all kinds of photo gigs is important so you can test out what you enjoy/feel naturally good at.

I get it! As a photographer, you don’t want to be put in a box or find yourself photographing the same type of client over and over and over again. But a photographer who wears a business hat just as much as a creative one knows that in order to scale your business to the point where you can leave your other job, enjoy financial freedom, and maximize TIME freedom — becoming the go-to for one niche is the wisest business move.

In other words, don't try to be everything to everyone – narrow down to your ideal client instead of accepting every type of booking.

Note: It also makes sense to do what I call one primary niche and one complementary niche, like:

• Seniors and families

• Weddings and boudoir

As these clients overlap, it gives you a chance to work with them multiple times without diluting your brand specialty.

2. Don’t worry too much about a logo

I still remember making my logo from scratch in Photoshop while on a babysitting gig in college — I was left deciding between a lovely, clunky black and white sunset or an 80s-esque colorful triangle situation (Let's just say, it wasn't my branding that got me booked in the early days). 

Instead, I focused heavily on client service (leaning into how my clients FEEL, not just how they LOOK). Simple things like showing up early, delivering images on time, and accommodating requests (to an extent) left me with a LOT of happy clients who were telling their friends about me. Then, once I had a great year with lots of profit to show for it, I hired a professional designer to re-design my entire brand — colors, logos, patterns, icons, submarks — you name it. 

In the meantime, there are so many great free tools like Canva to get started — to start, make your logo something that has your name in it. Personal brands are powerful! Plus, you can always change it later.

3. Don't underprice your services

If you're starting your business from absolute scratch without photography experience, then practicing is crucial before you start working with paid clients. At first, rather than positioning sessions as "paid photoshoots," think of them as "portfolio builders" or practice sessions. Once you have enough sessions to a) feel comfortable moving through a session and using your camera properly, and b) have a portfolio that represents your body of work — then it's time to start charging!

A lot of photographers overthink pricing when it's actually quite simple. When you're getting started, meet the market rate. Not less. Then, as your demand grows (and with the right specialization and business skills, it will), then you raise prices to level out demand. Didn't think you were stepping back into economics class, did ya?!

Then, when you’re ready to really scale your business financially (i.e. booking 4-figure clients consistently), there's one ESSENTIAL shift to be made at this point  (what my students know as a luxe upsell method) 

If you find yourself consistently booked, but feel like you're “missing something” when it comes to achieving financial freedom as a photographer, check out my free guide, luxury client email prompts: 3 non-negotiable phases for 4-figure bookings.

4. Don’t skip contracts

Always have a contract, even for friends or small gigs. Contracts protect you (and your client) and sets professional expectations about deliverables, deadlines, payments, reschedules and cancellations. 

Not only that, but peace of mind that your assets are protected is priceless!

This is also why having a CRM like Honeybook is great — you can manage client contracts, payments, and emails all in one place.

5. Don’t forget about taxes

Most of us photographers didn't realize we would end up in a career that requires us to be tax-savvy rather than just collecting our W-2 during tax season — but… here we are.

Do not forget to set aside a percentage of every payment for taxes to avoid any unwelcome surprises come tax season. Hire a tax professional to help you with understanding the best legal structure for your business (LLC, sole proprietor, etc.), setting up a business bank account, and knowing how much to set aside with each transaction.

6. Don’t miss out on 4-figure sales messaging

It's true — there is a photography world where collecting $1,000, $2,000, $3,000+ sales on repeat is the norm (even 5-figure sales in many cases) — but never without the right messaging.

One of the most common mistakes to avoid in order to get closer to luxury clientele who refuse to work with anyone BUT you? Here it is: do not overload potential clients with unnecessary details; instead, issue just the RIGHT amount of information at the RIGHT time.

Not sure what you're missing when it comes to luxury client emails? Download the freebie to learn the exact 3 email phases I go through with each of my 4-figure clients.

For me, the most challenging things I encountered as I strove for photography business growth were pretty simple. First of all, the “noise” of “markets are saturated” and “the algorithm is against us” etc were not true at all. Secondly, I was accepting way too many bookings. It felt great to be in demand, but after a while, going out on sessions constantly (sometimes multiple in one day) started to take a toll on my creativity, and even the way I served my clients. It was at that point I knew it was time to make a pricing (and business model) shift.

In between all the low-paid gigs, I would research master's degree programs and local job openings. I never felt completely confident that this thing was going to "work" — until one month it clicked, I figured out what it means to serve premium clientele instead of mainstream clientele. After that, everything changed. No more wedding bookings — I didn't want to work on weekends! No more birthday parties, heart-racing proposals, or couples sessions. I had done enough sessions to realize what I was best at, and planned to channel my energy into premium clientele completely.

What started as a side-gig editing photos from a small laptop on the Ikea desk in my own bedroom has since grown into the multi-six figure, streamlined, manageable senior photography business of my dreams. Are you ready to learn more about making your dream photography business a reality?

Is Wind Bad for Photo Shoots? My Secrets to Windy Success

Update: I’ve since put together a “5 Posing Tips for Windy Photo Shoot” Video - click here to watch it on my Instagram!

There's nothing like waking up on the day of a photo shoot (for both the photographer and client alike) to some of Earth's bravest elements making their presence known.

Whether it's rain, snow, extreme heat or wind, a natural light photographer is always at the mercy of the natural elements.

Here is the good news, though: as a photographer, you can learn how and when to either discern a reschedule or adapt to the weather—a decision that depends on the client, the type of shoot, and of course, YOU!

The Client

Recall their vision

If your client has specifically requested photos with sunbeams streaming through the trees, a brilliant sunset, or perfectly placed hair for their shoot, you have to ask yourself a few things:

• Are the client's desired circumstances realistic in my area, given its climate?

• Can I add these desired elements in post-processing to give the client what they're hoping for? Will this be relatively doable or will it take up a huge amount of time?

Be Honest

Communication is always keys with your subjects—before, during, and after a photo shoot. In the event that less-than-ideal weather occurs, it's important to contact them sooner than later and present them with your options:

1. We continue with the shoot and try to use the elements to our advantage.

2. We change locations, if possible.

3. We reschedule, but pose the risk of similar circumstances happening again, and of course, throwing both our schedules for a quick loop.

The Type of Photo Shoot 

Depending on the type of shoot a client has booked, some situations might be more flexible than others. For example, if we're talking about a wedding, that bride is most likely walking down the aisle rain or shine. I once saw photos of a wedding where the ceremony was completely, 100% outdoors, and it absolutely poured rain. This was in sunny Southern California, mind you. The coolest thing about the photos, though, is you could tell that the bride and groom could not care less. They were beaming. Soaking wet...but beaming...as were their guests and bridal parties. It was truly a moment, and a shining example that what's meant to happen, will happen, and there's something really wonderful about embracing that regardless of the physical circumstances.

Other shoots that tend to be set in stone:

• Large family portraits

• Event photography

• Indoor photography (not having to worry about weather is a definite perk of shooting indoors)

On the other hand, other types of shoots can be more flexible:

• Graduation photography

• Headshots

• Smaller family photos

• Portrait sessions

• Engagement sessions

In these instances, it (again) comes down to the client and their initial vision. Unless the client is traveling for this specific date, it's important to realistically evaluate whether or not the weather will make or break the photo shoot.

But how do you, as a photographer, know? Or, how can you, as a client, trust that your photographer knows what's best?

Trusting the Photographer

When it comes time to shoot, control is (and should be) in the hands of the photographer. It is not only a right but also a responsibility of the photographer to communicate clearly with the client, therefore understanding their needs, and being able to discern what scenarios will deliver gorgeous shots to a happy client.

I'd like to walk you through an example of a situation where I didn't have a whole lot of time to make this decision. What I thought was a beautiful, perfect, sunny day at the beach turned out to be extremely windy when I arrived.

Client: Kiley

Sweet as can be, requested confetti, but made it clear that she was open to ideas from me in terms of location, shots, etc.

Type of Shoot: Senior Photos

Could we have met at the pier like we planned and decided to reschedule? I suppose. But I really didn't see the point in doing that, and here's why:

The Photographer:

This wasn't my 'first rodeo' so to speak. I have shot in wind before, and I had actually shot in much, much windier conditions that what I was experiencing with Kiley. I knew I could use a few tricks to get shots that both leveraged the wind to our advantage, and also get shots where we were out of the wind entirely. I proceeded to:

• Place Kiley according to the sun first, and the wind second. After making sure her back was primarily to the sun, which allows the light to drape over her shoulders and face (instead of it blaring into her front side), I had her turn her shoulders toward the direction of the wind slightly. In essence, back to the sun, face to the wind.

• Take as many shots as I could, because her long (beautiful) hair had a mind of its own. There were many shots I couldn't use due to large chunks of her hair blocking major parts of her face, like her eyes or smile.

• Encourage Kylie that even though she feels like her hair is doing crazy things and her eyes are watering a bit, she looks stunning and the shots are reflecting that.

• I also had an assistant with me at this shoot use a reflector to brighten up her front side when she was really turned from the sun. It's okay if you aren't able to do this—but if you can, try it!

• Find spots that are blocked from the wind. We were shooting in San Clemente, so we explored areas under the pier and found some calm, serene spots that were perfect for getting more still shots.

  • Note: I have shot in areas where there's absolutely nowhere to hide (like an open field, for example). If that's the case, take your time. Explain to the client that you'd like to wait for the wind to die down and once it does (if it does), snap like crazy.

• Overall, so cheesy, but honestly - just have fun. The wind can be really, really beautiful because motion makes photos less posed and more moment-based. Sometimes windy, hair-framing-the-face-like-medusa-but-better shots are my favorites because of their power!

P.S. Kylie even said she was *happy* we shot in the wind because she wanted her curls to fall a little bit. HA! Win.

In Summary

Hope this helps! Just remember, with time and experience you (as the photographer) will be able to discern whether or not weather is going to make or break a photo shoot. Clients, I encourage you to have an open mind about weather, and when choosing inspiration photos for your shoot, try to include photos with all types of weather (cloudy, windy, sunny, even rain!) This will mentally prepare you for just about anything. 

Lastly, dear photographer and dear client, communicate. It just never hurts.

5 Reasons to Niche to Senior Photography

Have you ever found yourself eagerly looking forward to certain types of photography sessions you have booked, and dragging your feet to go to others? 

Well, then, it may be time to take a good, hard look at which types of bookings you’re becoming known for. Some call it a niche, some call it a focus…the important thing is that you choose one based on what supports your growth as a business owner AND your creativity as an artist.

Let’s face it: every photographer has a different set of personal values, and I believe all photographer’s personal values spill over into which type of bookings they gravitate toward. 

This means the photography niche you choose to focus on is not only an important step in your journey, but a necessary step toward a burnout-free, financially sound photography career! 

(And, as to whether or not “niching” is required to be a successful, full-time photographer…I believe that it’s important to experiment with niches in the beginning of your career before ultimately choosing one major niche, and maybe 1-2 complimentary niches as your primary offering. The topic is debated, but the truth is — a lightning bolt is only the width of a thumb, and still hotter than the sun.) 

As a seasoned photographer in the senior photography niche myself, there are many things I love about working with seniors, teens & their families. In this post we are calling out 5 values that senior photographers usually hold. If you find yourself reading through any of these values, nodding your head and resisting the urge to grab a pitchfork and shout out “Hear, hear!” in your place of reading…then it just might be that the senior photography niche is the perfect one for you. Let’s dive in!

1. You prefer individual portraits vs groups

In photography, there are many niches: weddings, events, nature, seniors, boudoir, newborns, families, and even pets. If you're someone who is beginning to realize you enjoy the more calm, 1:1 nature of a portrait session versus, let's say, a wedding day or event photography — then congratulations, you may have just taken your first official step into the rewarding world of portrait photography!

Many photographers start booking couples shoots and weddings as a way to bring in more substantial booking income. I get it! It can seem that the only way to really 'make it' as a photographer is to work within this niche. While it is a really great way to build your portfolio and get your name out there, working with more than one subject means additional posing instruction and sometimes even managing the dynamics between the subjects. Then, you factor in things like age (working with kiddos), tight schedules (15 minutes to capture 20+ family formal photo combinations), and/or the unpredictability or working event venues you've never been to before (eg. being hired to photograph a company holiday party) — and next thing you know, you're spending more time adapting than you are creating beautiful artwork via your photography skills!

It's important to try as many genres as you can in the beginning, so you can experiment with the types of photography you enjoy and the types that don't fulfill you creatively or professionally.

TL;DR:
It IS possible to make a full-time photography income shooting only senior portraits.

2. You enjoy fashion + editorial work

Let's face it, teens know what's cool! For that reason, there's an inherent degree of fashion-forward, cutting-edge trends incorporated throughout the wardrobe brought to senior sessions

While breaking into the fashion industry may or may not be your goal, working with trendy, fun-loving, naturally youthful teens is an inspiring, fashion-adjacent category.

If you're a photographer who's fascinated by Paris and New York fashion week, love a good Pinterest-sesh, have always taken an interest in sewing, fabrics, or design (Hello, Project Runway! I myself may or may not have visited the Mood fabric store and left with a "thank you, mood!" t-shirt as a souvenir - if you know, you know) — if that's you, then don't be surprised if you feel naturally pulled to work with seniors! 

TL;DR:
Senior photography is not only a viable career option financially, but it's also extremely fulfilling creatively for fashion-lovers.

3. You feel called to celebrate others

By default, being a senior is all about celebration. Celebrating turning 18 and becoming an adult, celebrating the completion of your secondary education, and potentially celebrating the next chapter which comes after turning the tassel and collecting your diploma. As such, when you're working with seniors and their parents, the mood is naturally full of excitement, hope, pride & appreciation. Who doesn't want to work with that?!

As photographers, feeling a sense of purpose in our work is an important safeguard against burnout. Knowing your 'why' in photography, what drives you, is not only a key part of your messaging in marketing your senior photography business (I teach this to my students in Rep It!) but it also provides YOU, the artist, with a sense of pride in your own mission.

TL;DR:
You are more than a photographer who delivers images. You operate as a part of a bigger, more meaningful purpose in the lives of your clients.

4. You prefer not to work on weekends

I'll never forget the lightbulb moment I had in year 1 of my photography career. I thought to myself, "Wait. So if I get really good at this whole wedding photography and engagement photoshoot thing...and I get 'booked out'...then most of my Fridays, Saturdays & Sundays are going to be spent...at work?" It didn't sit right with me. 

As photographers, we have the privilege and freedom to create our own schedules (queue the confetti poppers!) but what happens when that suddenly turns into weekends traveling for all-day wedding engagements and weekdays editing thousands of images? 

All photographers will reach a point in their career when they meet a fork in the road, and have to hold up their written list of values and use this list to decide which path to take. For me, I value weekends at the beach with my surf-loving family, and would much rather keep my photo sessions on weekdays. (Haven't written down your values yet? Do that now! It'll be your guide as you navigate business ownership.)

TL;DR:
Senior photography means true freedom of schedule.

5. Gives you the ability to work with a fun-loving age group

No two teenagers are the same and you’ll certainly work with a wide variety of personalities over the course of your senior photography career, but it’s safe to say that you’re bound to have loads of fun at your senior sessions.

You remember what it's like to be a teenager! School, friends, football games, homework...that is your world, your reality. It's fun to tap into their life, reminisce alongside them, and ask them about what's next.

Being around younger people can feel rejuvenating. Seniors are often bubbly, respectful, and great listeners. In general, being around them is enjoyable.

Plus, the parents! A HUGE part of working with seniors is, of course, working with their parents, too. It's an incredibly sweet dynamic to witness. While spending time with the seniors is fun, silly, & fountain-of-youth-y for us, speaking with the parents gives us a sense of camaraderie, of wisdom, and shared pride in their awesome senior!

TL;DR:
Senior photographers cater to two groups: seniors and their parents.

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My favorite thing about being a senior photographer is witnessing the love and support that my seniors experience from their friends and families. In a way, the photos I take and the artwork I deliver is just a vessel for people to come around the seniors and help them feel loved & celebrated in the way they deserve to be. From the parent's POV, I get to help them properly document an undeniably special time — the official transition from childhood to adulthood. 

Want to know the most common word used in my feedback form? "FEEL." 

At the end of the day, parents of course want nice photos of their son or daughter, but more than anything, I think they appreciate the feeling of confidence that comes from a well-prepared senior photographer's photo experience. And from the student's point of view, watching seniors hype each other up online when they post their images is so sweet to see.

The main things that drove me toward senior photography were my two younger sisters. We are extremely close, and growing up I just always had a way of watching over them, supporting them, and eventually, taking their senior photos! I also coached cheerleading after graduating college, and that reinforced my passion for being around teenagers during what can be difficult years of one's life. I've always felt comfortable with teens, like I get the sense I can read them well and understand their queues (when they're uncomfortable, or starting to get more comfortable), which is an important skill to have on set.

If you're thinking about leaning into senior photography, take a close look at what's important to you, your values — in your life and business. You might be surprised to learn that creating a thriving, booked-out senior photography business where you are truly in control of your schedule and your income is absolutely possible for you, no matter where you are located or how much experience you have. We all have to start somewhere. 

Ready to start with more seniors? Download my 5 Things Every Senior Photographer Needs to Know guide to learn how to make a splash in the high school senior photography world.